Prison World #3: Panultima (tw violence, torture, coercion)

[spoofer]

Characters: Ensemble Cast, maybe even you!
Summary: The third prison world in Xistentia is a terrifying subdimension where sentient people exploit each other in order to run technology that will fend off D.E.S.T.I.N.Y. The 'ruling' class, Primus, are bound to a system of coupling (see: fake dating!), legacy and nepotism, whereas the Servus are put through an elaborate media circus (see: Hunger Games). You're here to study this world. And perhaps even to free those captured.
Date(s): February 8-20
Warnings/Notes: Violence, torture, coercion

Panultima

You cursed your gods and died

The Primus Life

If you thought Earth was a tough neighborhood, welcome to Panultima. Here, life is sweet. At least, as long as you're one of the Primus class.

It's a sprawling city of wicked spires and elaborate canals, covered in a luminous, translucent shield. Rather than a circular planet resting in orbit, instead, it's a flat plane of matter suspended in space, the foundations of the buildings rooted in only a hundred feet of stone and unknown technology. But the vast majority of citizens care little for that. After all, the city has every amenity and experience one might desire.

Restaurants line the streets. Theater is at an apex in development, with a particular focus on integration of moral philosophical themes. Gondolas run the canals, whereas a railway races over the winding laser-track in the air. Fashion is diverse, colorful, characterized by wild shapes, patterns, and accessories. Food imported from worlds both thriving and dying across the multiverse. At the numerous colleges and institutes, premier technology and opera are under constant invention and reinvention.

COUPLE STUFF

Primus culture emphasizes couples. Trios. Larger groups of lovers than that, even. After all, with romantic love and loyalty to care for, and survival hanging on it... who has the time or energy to care about justice for all?

Not these guys!

In this world, the mission and pleasure roll together well. The implant picks up information, so your main job is to explore. Perhaps you and your partner might enjoy yourself a glow-in-the-dark cocktail in a smoky bar where a two-headed singer is providing the music, a tour of the massive shield generators in the sparkling complex. Or pick fruit from one of the hundreds of bonding trees in the city's central park— so named, because it requires successful completion of questions to "the newlywed game" for each before one of the luscious, sweet fruits is released from a vine.

THE SERVUS LIFE

But for the little guy, life is considerably shittier. Welcome to the arena, the fully manipulable bubble reality set up to torture the slave class. The emotions of pain, fear, anguish, and wild, adrenal victory.

Most days, it looks like a forest— incidentally, very much like Xistentia. There are dozens of hybrid creatures in it, most of which are edible, others toxic, several very dangerous. However, the ground below can change at any moment, turning into mud or belching acid baths. Or you might find yourself abruptly attacked by a bear with biological armor growing from its huge shoulders. The control room, operated by Primus, is concealed from view. Its role is to keep the environment challenging for those competing, shifting the settings of the place to advantage some and cripple others.

But the arena's programming isn't the only threat.

Instead, you have a motley host of macabre killers, other Servus locked up in here just like you. Some have survived in here for years, earning favor from audiences thanks to the amount of pure horror they squeezed out of their victims. Some of the better-known brands are the Bantam Butcher, a fallen angel whose first kills were those who took his wings, and now thrives on torture. The trapmaster seems to have control over environmental factors that rivals the control room. And the baker trio will eat the flesh from your bones if they catch you.

For infiltrators, the challenge is worse. Not only might you need to kill, survive, and explore the arena with your implant— but if you want to save the very same people who are out to murder you, how are you going to do that?

Breakout!

Several days into the mission, and that's when it happens-- the control room shuts down, under attack. And suddenly, there's pandemonium. Within the arena, some of the servus know immediately what this means— and they're willing to make a break for it, cutting each other down, crippling each other if it means that the Primus might have slower-moving people to contend with and allow them to escape. Others seem to have long since given up, failing to respond as the trees suddenly go dark and motionless, the birdsong dying into silence. After all, where is there to go? It's either D.E.S.T.I.N.Y., or to join the system that hates them, isn't it?

Are you inside the arena, or out? Are you there to help the fleeing Servus, or are you merely ready to scramble on home yourself and save your own skin?

Footnotes

1. Please ensure that threads are marked with appropriate content warnings!
2. The plotting post for this event can be found here, and the original announcement with some other details is here.

Comments

[mordacita]

[ Rafa's eyes flick sharply up. Had it cost him? He feels like it cost him greatly, but he also feels like he can't care about that. Not when it cost Hunter so much more. His mind pushes away from it, boxing it away. He needs to focus on easier things, less personal things, other people's things. ]

What half? [ He says, spiriting back to that strange comment. Rafa had never found marriage to be suffocating, but he's also never pretended at marriage, either. That probably makes a difference. And then he frowns. ] Did you say fucking his brother?

[ He had said that. It could just be Kavinsky being crude, obviously, because eight or nine times out of ten it's Kavinsky being crude. It tends to be that his cruelty comes out for a reason, though. Kavinsky tends to like fire with his smoke, even if it's a fire he's set himself.

The drink is welcome. Rafa ordinarily prefers wine to spirits, but he's not slow about lifting this one once it's delivered. He doubts it'll be strong enough to take off even the sharpest part of his age, but a big enough quantity might, and he wouldn't hate that. He downs it in one, and replaces the glass with a little smack. ]

[pillz]

[kavinsky watches the other vampire drink with interest. it is indeed unusual for rafa to be quite so voracious, and it continues to worry him. which probably means he'll continue to be gross and misleading until he's corrected, because— well, kavinsky.] I said fucking his brother, [he says.] I figure it's less weird because they're adopted. [it's not less weird. he's just

kavinsky.]

Half 'cause I was supposed to be wooing Kurt fucking Wagner, but he shat all over it. [unlike rafaello, kavinsky is pretty good at talking about his 'stuff!' he just, you know. manages to skew the truth until it is nearly entirely a lie, failing to represent reality.] Kid doesn't know how to adopt a fake persona for fuck-all. [he affects disdain, drinking his own beverage, already, admittedly, too tipsy to remember that rafaello was (technically) (lol timelines) there for it when kurt had saved him in the woods; that kavinsky already owes kurt his life. and better respect, at least, than to suggest the mutant crumbles easily under pressure.]

[mordacita]

[ Rafa considers that. ]

It is not less weird. [ He says, just to get that out of the way. The part about Kurt is more interesting, though, but mostly because Rafa doesn't know its Loki that Kavinsky is talking about. If he knew that, he'd be all over this. Loki, fucking Thor?! That would be something to write home about.

But in the absence of that, he focused on his protesting fledgling. ]

What happened with you and Kurt? I believed he cared for you. [ He'd certainly seemed to. Rafa avoids saying he phrase what did you do, but only just barely. ]

[pillz]

Kurt's one of those sacks who cares about everyone, [kavinsky says dismissively. two more drinks slide up on their table, fresh from the bar, and the baby vampire pushes one of them over to rafaello. he selects the other glass for himself, peering down at his own reflection in the surface. he kind of wants to go back to adoptive siblings screwing. he kind of wants to talk about kurt. he kind of wants to screw kurt.

he kind of wants to not want anything at all. but when will that ever happen for him?]

He doesn't know me like you do, [he says, finally. he bumps his cup into rafa's cup before rafa has even taken up his new beverage.] He's a nice kid, you know? Maybe not Shane-nice, but I think I'm worse than you, plenty of fucking ways. We're in dumb shit. Maybe by the time I'm five hundred, I'll get out of it.

[mordacita]

[ Rafa lifts his shoulders, acting out a nonchalance that his stance doesn't really hold up to. He curves his hand around the new drink. ]

Shane knew me at my worst, and loved me anyway, and I am not sure that you are worse now than I was then.

[ A pause. ]

Perhaps in attitude. Not in action, I think.

[ He downs the drink again, savouring the few seconds where it warms his chest. The effect doesn't last. ]

It does not matter. I recall when Aric was with us, and loved you the way you said you wanted to be loved, you struggled to believe him, and you blocked yourself from what he offered. Do you want to do the same thing with Kurt?

[pillz]

[there is silence. it's like ten whole seconds of silence, which is a very long time in standard conversational beats across most human cultures. in joseph kavinsky's idiosyncratic culture of being a shithead who talks over and under and all around everything that could possibly have authentic meaning, it's an eternity in and of itself.

he hates that. he hates that because it's true. even if he could pick out a dozen little arguments about why it isn't, about how different aric and kurt were, about how different eudio was to this place, and about how much less he knows about the way kurt is compared to what he knew about why aric was the way he was, it's still true enough in the macroscope of things. it'd be like denying the sky is blue just because he's been nocturnal a little while, and sometimes there are clouds grey or white.]

I'm not making you talk about your thing, [he says instead. changing tactics, because there always has to be a tactic.] Why do I have to talk about this? [he shifts his eyes away, sullen. his fear so rarely shows itself in spontaneous impulse and panic. he just sulks like a monster stuck in a cage.]

[mordacita]

[ Rafa's eyes flicker. There are many things he considers saying to that. What is wrong with me is not my fault, for one, except that it is, and he can't get away from that. My slavery is not the same as your failed romance, for another, except that it's both needlessly harsh, and involves talking about the thing he doesn't want to anyway. He runs through possible responses like that, discarding them for similar reasons, until in the end he just sighs and relents. That might be a more telling sign of how tired he feels than anything else. ]

You do not. [ He sighs and leans close again, touching his cheek to Kavinsky's shoulder. ] I am sorry. Stay with me, do not be sad. We need not talk about Kurt.

destroyed by rafa icon, steering toward fade

[pillz]

[stay with me. not enough people talk to kavinsky in plain speech and simple eloquence, drops of water in a still pond. he's not an easy person to talk to that way, honestly and without art. it works mostly because it's-- rafa. because kavinsky knows that rafa might have let him get away with some bullshit tonight, but he isn't going to do it twice in a row, and certainly not if the second round is to throw the older vampire's kindness back in his face.

he wraps a skinny arm around rafa's tawny one, threading tattooed fingers through the other man's. an impulse that's-- oddly affectionate, all things considered.]

Italian lesson, [he changes the subject.] How do you say, 'I don't need to shit, I'm a vampire?'

Re: destroyed by rafa icon, steering toward fade

[mordacita]

[ Happy to fade this one from here? ]